THE MEANING OF APOLLO
The Apollo programme was not just a Cold War stunt, though many correctly saw it as such. Neither was it just an example of superpower posturing, though it most certainly was that too.
As is the nature of so many decisions in the human realm, America’s plan to go to the Moon in the middle of the twentieth century had repercussions that were barely conceivable when the President’s advisers steered him towards his historic challenge. In a speech on 25 May 1961, to a Joint Session of Congress on "Urgent National Needs”, President John Fitzgerald Kennedy justified his goal by stating that ".. .no single space project in this period will be more impressive…”. Was he right? Probably. It was certainly a magnificent example of how a state-run command system can successfully fund and manage a megaproject given a conducive political environment. Ironically, this central direction characterised elements of the Soviet system that America was trying to upstage when it went to the Moon; perhaps a demonstration that people are more similar than they are different.
As the programme came to its successful climax with Apollo 11 on July 1969 the media were filled with commentators proclaiming that such a wondrous achievement was bound to bring humanity closer together. There was a sense that this was the obvious culmination of a rising drive towards peaceful endeavours by an increasingly enlightened western society. In an interview for British television on the day after Apollo 11 reached the Moon, NASA Administrator Thomas O. Paine asked: "Why aren’t our political institutions more tuned in to bringing to people around the world this great common aspiration that we all have: world peace, freedom from hunger and ignorance and disease? Why can’t we do better in many of these other areas as we reach out and touch the Moon?”
In the short term, the media lost a measure of its cynicism and adopted an almost reverential tone. During the coverage of the launch of Apollo 11, veteran BBC commentator Michael Charlton spoke to the British audience while Neil Armstrong, Michael Collins and Edwin ‘Buzz’ Aldrin boarded the van that would take them out
W. D. Woods, How Apollo Flew to the Moon, Springer Praxis Books, 1
DOI 10.1007/978-1-4419-7179-1 1, © Springer Science+Business Media, LLC 2011
to their space vehicle. In solemn, awed tones, he commented. “They take with them, this morning, the good wishes and the admiration of a world of people, as Man. a species born and who has lived all his life on Earth, moves, with this journey, out into the solar system. And so. presumably begins, with this journey, his dispersal in other places out in the Universe.’’
In a documentary made for the 25th anniversary of Apollo 1 I s achievement, one of the men on the front line of the Apollo programme, f rank Borman, who orbited the Moon on Apollo 8, pointed out how the pragmatic President Kennedy, in his bid to end the Cold War, had used his ability as a word smith to sell a voyage to the Moon as a great endeavour for exploration, “fiddlesticks.’’ exclaimed Borman. "We did it to beat the Russians.’’ In the same documentary, Armstrong’s introduction suggested that as well as national posturing, other forces and impulses within the minds of the participants were driving the quest to the Moon with equal force: "The dream of venturing beyond our own planet was too powerful to resist. We w anted to explore the unknown. We wanted to push the limits of space flight."
Perhaps Apollo could become whatever its detractors or protagonists wished. To those scientists whose unmanned missions were shelved or commandeered for the sake of Apollo, it was a wasteful enterprise; spending vast sums where similar knowledge could be gained robotically for much less cost. Others from the scientific community bought into the programme for the opportunities it offered. They claimed that the presence of humans would greatly increase the science yield. Historian Lewis Mumford dismissed Apollo as "an escapist expedition" from a world beset by problems of malice and irrationality. In the view of economist Barbara Ward, it was a sign that humanity’s destiny could be outside this planet and that the view of the Earth from space could change the thrust of human imagination to one that would lead humans to coexist better.
Apollo is undoubtedly NASA’s greatest achievement, but in its very success it became a burden. NASA’s funding came directly from the US government, annually allocated according to the political whims of a fickle Congress. When the political imperative behind the programme faded. NASA naturally looked around for projects that would allow it to continue to exist in the manner to which it had become accustomed as would any maturing government bureaucracy. But there was no project that could come anywhere near Apollo’s grandeur, scale and expense, let alone maintain the political momentum needed to fund it. In the post-Apollo era. therefore, NASA sold the Space Shuttle to the American taxpayer as a new reusable spacecraft that would provide cheaper access to the new frontier. In the process, they ended up with a versatile yet expensive ’space truck’. But the Shuttle was also fragile, and it threatened the agency’s very existence each time it killed a crew, which it did twice. Apollo was a very difficult act to follow.
One of the ways NASA tried to justify its continued funding was to point out the technological spin-offs derived from the research and development that supported the quest for the Moon. Certainly. American industry learned much from Apollo in a very wide range of fields: from metallurgy to computer simulation, from electronics to fluid valve design. But the problem for those who would use spin-offs to justify further space exploration was that most of these advancements were as much tied up
with the larger defence and aerospace effort being undertaken by the United States at the time, as they were with Apollo per sc. On close inspection, it was difficult to disentangle a new technique, material or system from parallel developments in ballistic missiles or aircraft design or reconnaissance satellites. From an economic and industrial standpoint, it would be more accurate to say that a primary benefit of the billions spent on Apollo was the cash injection it gave to the US aerospace industry and the jobs and know-how that resulted. Indeed, this was part of Kennedy’s motivation in setting the lunar goal.
However, unlike the shadowy exploits of the US defence community, Apollo was carried out in the open. It was a difficult feat of fantastic vision executed in full view of the world for its propaganda benefits, even though such a stance left NASA exposed at every failure of machine or management, or every lime a crew was killed. One effect of this openness was to inspire vast numbers of young people to take up careers in science and technology. On 4 October 2004. a small oddlv-shaped spacecraft won the X-prize. a SlO-million sum offered to the first privately financed three-man ship to rise above the internationally agreed threshold of space at an altitude of 100 kilomeires. although on this occasion ballast replaced the weight of two passengers. Despite the substantial prize, no profit was made from this early effort in commercial space transport, as it relied on a S20-million investment by Paul Allen, whose fortune derives from the fact that in the mid-1970s he eo-founded the software giant Microsoft. As a boy. he avidly watched the progress of the Mercury, Gemini and Apollo missions. “I really got enthralled [by the early space efforts of the USA], and probably more than most kids." He is just one of a collection of multimillionaire entrepreneurs from the computer and internet industries who were brought up on ihc dreams of Apollo and who later expressed their interest in space by investing in start-up commercial space efforts that may make that dream a reality for many others.
During their voyages to the Moon. Apollo crews would sometimes look out of their spacecraft windows, see Earth in the distance and take a photograph. Some have claimed that the resulting extraordinary imagery was directly responsible for the modern environmental movement, when people who were concerned about the state of the planet’s biosphere pounced on images of the jewel-like Earth rising above the barren limb of the Moon, or a full-Earth image captured en route between the two worlds. These images have been reproduced endlessly as symbols of the fragility of our planet. They served as the opening line of the green movement’s clarion call, and are heavily used by corporations to display their environmental credentials. In truth, and somewhat ironically, although much was indeed learned about the Moon, the most profound thing we discovered through Apollo was Earth itself.
In some ways, the Apollo programme was the ultimate adventure for the American people because it fed into the frontier spirit that imbues much of their society, and gave the astronauts of that era an almost god-like status. In his book, The Right Stuff, author Tom Wolfe described the early American space programme and its crews in terms of single combat whereby, in some ancient civilisations, battles would be pre-empted by one-on-one combat between the best warrior from each side. In the Cold War. tribal heroics between the two superpowers on Earth were
Full Earth, as seen from Apollo 17. (NASA)
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being enacted, not by knights on horseback, but by men who, for the most part, came from the fighter-pilot fraternity – afterburner jet-jockeys who were willing to risk their lives for their country’s prestige. These were warriors who wanted to rise to the peak of their profession’s ziggurat, a pyramid of ever faster, jet – and rocket – propelled aircraft reaching ever greater heights and speeds – the dangerous world of the test pilot. In this arena, where it was accepted that men would die for a worthy goal, the dawning of the space age had introduced a new pinnacle to entice the need-for-speed hot-shots and it seemed more dangerous than ever. Through television broadcasts of early unsuccessful space attempts, the American public had witnessed the unreliability of the early rockets. They became steadfast in their admiration for men who would strap themselves to the top of these jittery, controlled bombs and be blasted into space to demonstrate their country’s prowess. In Ron Howard’s movie, Apollo 13, there is an iconic sequence leading up to a superbly rendered dramatisation of a Saturn V launch. It is no coincidence that
James Horner’s score for this scene is strongly reminiscent of a regal coronation. These men were being anointed – prepared to be sent to the realm of the gods for the glory of a nation.
The Moon landings eventually came to be the ultimate expression of technical competence; to the extent that a cliche entered the language: If we can land a man on the Moon, why can’t we…? Seen as solely a demonstration of technical prowess, Apollo became a yardstick against which the stuttering progress of the western world in other fields was judged. In the light of such a dazzling display of what humans could do. why did real-world achievements appear tarnished, tardy and piecemeal? In truth, the world moved on to other preoccupations that tested human ingenuity in other ways; in particular, the rising power of the computer, increasingly fluid communications and information flow via the internet and mobile telephony. To a world that was beginning to look in on itself, the outward-looking achievements of Apollo appeared outlandish, superficial and almost naive.
In many ways, Apollo was an aberration, a sample of twenty-first-century exploration brought forward by perhaps two generations by political circumstance and pushed through by the dreams and technical inventiveness of the thousands who took part – using the technology of the 1960s.