UR-700

More is known of the UR-700 [8] and in recent years the managers of the Konstantin Tsiolkovsky Museum in Kaluga helpfully put a model on display. The UR-700 would
have a thrust of 5,760 tonnes, able to put in orbit 151 tonnes, a much better per­formance than the Saturn V. It would have been a huge rocket at take-off: 74 m tall, 17.6m in diameter and a liftoff weight of 4,823 tonnes [9].

The UR-700 combined a mixture of strap-on rockets and fuel tanks (like the Proton) clustered around the core stage, with the three strap-ons jettisoned at 155 sec and the three core engines burning out at 300 sec. It was a typically ingenious Chelomei design, one building on the proven engineering achievement of the Proton. As for power, the engine in development for the R-56, the RD-270, was transferred from the R-56 to the UR-700. Chelomei’s UR-700 had a single third stage, an RD-254 engine based on the Proton RD-253.

The UR-700 was a direct ascent rocket, which Chelomei believed was safer than a profile involving rendezvous in lunar orbit. Outlines of the UR-700 moonship are available. These were for a 50-tonne cylindrical moonship with conical top entering lunar orbit, 21 m long, 2.8 m in diameter, with a crew of two. The moonship would descend to the lunar surface backwards, touching down on a series of six flat skids. The top part, 9.3 tonnes, would blast off directly to Earth, the only recovered payload being an Apollo-style cabin that Chelomei later developed for his Almaz space stations. In his design, Chelomei emphasized the importance of using multiply redundant systems, the use of N2O4/UDMH fuels, exhaustive ground testing and the construction of all equipment in the bureau before shipping to the launch site. One reason for its slow pace of development was Chelomei’s concentration on intensive ground testing [10].

Like the R-56, the UR-700 was proposed as a moon project before the decision of August 1964. The N-1 was made the approved man-on-the-moon project in August 1964 and so, in October 1964, the UR-700 was cancelled and, as we saw, work on the R-56 was also terminated. Never one to give up, Vladimir Chelomei continued to advocate his UR-700 design, even getting approval for preliminary design from the Space Ministry in October 1965, much to Korolev’s fury. The following year, Chelomei got as far as presenting designs showing how the N-1 pads at Baikonour could be converted to handle his UR-700. Chelomei formally presented the UR-700 to a government commission in November 1966 as an alter­native, better moon plan than the N-1. The government politely agreed to further research on the UR-700 ‘at the preliminary level’ (basic research only) and this was reconfirmed in February 1967. Unfazed by this, Chelomei’s blueprints for the UR-700 were signed on 21st July 1967, approved by party and government resolution # 1070­363 on 17th November 1967, three years after the N-1 had been agreed as the final moon design!

Designs for the UR-700 moonship were finalized on 30th September 1968. First launch was set for May 1972 and after a successful second unmanned flight, the third would have a crew (similar to the American Saturn V) with lunar landings in the mid- 1970s. Although a certain amount of work was done on the project in 1968, it is unclear if much was done thereafter and it does not seem as if any metal was cut. The programme was not finally cancelled until 31st December 1970. In fairness to Chelomei, he never claimed, at least at this stage, that his UR-700 could beat the Americans to the moon. It is possible he saw the UR-700 as a successor project to the

N-l, or one that could later be adopted if the N-l faltered. The UR-700 plan certainly had many fans, quite apart from Chelomei himself, believing it to be a much superior design to the old and cumbersome N-l. However, its reintroduction into the moon programme in late 1967 was yet another example of the rivalry, disorder, waste and chaos enveloping the Soviet moon programme.

Contrary to Western impressions that the Soviet space programme was centralized, in fact it operated in a decentralized, competitive way. Thus, in the period after the government decision of 1964, three design bureaux were at work not only designing but building rival moon projects. Again, this marked a key difference from the American programme. In the United States, rival corporations submitted proposals and bids, but only one was chosen to develop the project and build the hardware (the company concerned was called the prime contractor).

In the Soviet Union, by contrast, rival design institutes not only designed but built hardware. Decisions about which would fly were taken much later. As a result, the Soviet moon programme, and indeed other key programmes, contained several rival, parallel projects. This was something neither appreciated nor imagined to be possible in the West at the time. The rivalry between designers was at a level that could not have been conceived on the outside. At one stage, no less a person than Nikita Khrushchev

The final route decided 65

tried to mediate between Sergei Korolev and Valentin Glushko, inviting the two to his summer house for a peace summit (he was not successful).